160 0 obj << /Type /Page 207 0 obj !t7b9YFQ9f/BN,EslE`_c^2HLgu_#?bZ/4*Tj"L=)1PYWbMTr=pWJT^7rGcd@)A]dTQ$jWG)@&Bk.Uk^e-_> stream For other Shakespeare resources, visit the Mr. William Shakespeare and the Internet Web site. endobj /Parent 2 0 R Gat%#?#Sa]&:Dg-:nR.cLfNcq\pGjR`g?I^3^r$qd2%/',ruYiOTn7FWdioKS/d;Ja[m$d$#N;)h3jg>rjk/fq6T7/^9cO`H-VY'4=?$B`(@h6)gd.BWh"Xrhk#=:-@R^kVp9WpE5g)-@#\Z:-[on:..G:!G_0j,NZINP92t/$19$t-jS:@*[QNP/T6M-J[9mnDZ$#5hK5[IgqIPY?i,6Le;BC7="MX")C;8MM&LS-E"N%2L@$K.fIal.*:Q2>)A%*tBG;QMeR"R]CX'd/RV2nJ=0s/Q*$W_`N+n5oZ7C4?8'&'E\LTJlU*#X%6drX+mNA/J1?j(.^TOBVa%[%>Ch1e5@Hdp@e/#]#.\$Frm)5L;NaNP4WrPg"`jd8-AKuC&0UgZUg6AO$Zn&Fd;nDsJkm"+KMju1(NEL\4A?3iW>T?IAX1$l),d&ZlR2L4(.!;G='D[3!mAmFKS'1WuIPnlET([tR$?`h`$"A(H@Blk8cdg4@,b,#bmakQA(rsXgYGb&C??6.Sos,S=f^UF9'qqOos6!B\$BgBa55L1>^lBr9k'T]i@HD_U4Vj$6=ZehG13])MNkoEeJkrLbp>nh32Ep#V.j8:m0#S@*JF,gKHTO.`'6]_1oEnoh/q6elQCY+Z'H_TI:41C4l_g*!jEok?k'A\?NQSG=:`dMneWs4\770W\T14^hEdGRh%,D'Em<26#el&Jh03\*Zn=67^'+uhN8\q:H=s\??.6&@Y@pP!A2M3g;tJ>a/_-UX>PR>bW^dl7mri\FrM. Gat%#?'!]!'RcT\iH_/_^eGdr+l.p2h44nQR2p!68P=t3/T;7c6QPIN%o(F[2:8XZ/Z:6PXO'2LJU@6Ya.\g2[i'uc2gmWr/em#YMg/M9p=r'H0]qTJ(2X2/HMiE7;!l*AeC97V$=I9^lWT;9&o=FBb*t2H*,7Ib6:$jSb2s+c/n%c4_Q0s%q>fjQ`fai*_lQWM2'mFK]#ZhA0iX^$1a1(&_-8_3Z1ZgGP[WK!d%.q?g*^Pu+g_]qQ.2%]aj)eHF]d\M*(I*"#@Ls. >> endobj /Resources 4 0 R /MediaBox [ 0 0 596 843 ] @-/]en!`Q1a6XisI*-`iFIDW$mX\=LpqTk!f;$mHQ)AIEl#99FI;U5:Bf^^G"Gnm-_fcYF.rEIMEAKLn;e=/+-#!s]FllPP1IkoFV^-AFiQcKb]iBeY,]Z/]h3`DS\;9;%`$T;@tPk6H,iaT:IE3^'Q:2V7K#34(h5G[)fjSt8N[PQ(Y1b;Fe~> /Parent 2 0 R /Resources 4 0 R << /Type /Annot 176 0 obj /Contents 137 0 R Gat=*>u03/'Rf.GKI9"d0E-ckL^2Fh!hDqFQ(Vi\p0\f*6qcPiFsu_/cd30Z5gp6CWG3G\qqQ8E9QV>)"LKC&4IQ':XIXB2g70nGf!Crh"&qVO0Mh!(:=rqr:,`IiR*?(@.Wn)&R'rh'd;6&"?YG[RCJ8i_0J-.Is"2s1FU2F[Ujc1/eDn:QSUWt"XknZ\o0"JX^p!:7&S"r+a^dOX%#9iX_O%7FUhB.d'h(dfArSaDnHaB:OcFMupLT4YX]`P9chce/ei(4-ol`1BRE@%K91oH>H("`s?F,emPjZ^O4n2OpNagG:7I8WAH>Z00L5S[;!\rn2Z_Q(2^;4W6#p$/W5JJmHl"cTG/J;dHbC26(mY/"Lu_Hj_S$Q4h&0d7^[Z7'6t?u8.J9WD?`l#U3V[D&(3n;UC@p0s4%,gH3H"u`OR,*f"5XeS""_4:uoCo"Eha-A't?Z>[L"'QjGI14)3hu_a=5/'rB456\mU[\T]Act3/41_8LjCOcU-FR&BcGu?L`%HVl4DBY]DDBh5L9d`t)TU,HgK+lEYk,u%R*D4_+`[i[! 172 0 obj GatU4?#Q6&'Rf_ZTMJ.T>meJn?ReQ?Pc^IeC:9#"WXlGZ!$_SuB#%sWIE,Z4jpZt:\s?\=!I)gPpY:*+I_WSmnY>RJT!L#OI)j]c^-e(%c%qR:SkHrEff%.5Da.NW^A5!]kPX@VIm(M4n7;]jT+K.M:PimW:)#A5qV'T9-8/-H$Vd+(LimNk45L1V'.1&o-(OVC(4XR19f5^@.&W'rG!d`[.hhBPObAGU8d<8XmP^d8(GOjQ7DfdKZCXT@"OfrSujYNDL3=bK*T6OANdQ>gqTA5^lQ*uVX1t.i;%U`Fb;DhYgg-@>uJ/nC@]QEn2mUgH/OeLMJ_L!52#s@X_kXTrB&0D]_(^(YYA24UV7W+_b:?W?Ibc_c-g%eblAC,2JM59g/;=h.R1tTlI;h;f=OJj1Udc_/VZfcS&RX`:o\\-E?K*#+sYb)U0#N&S7WG6VIa?D,8d_o#-HS*sLr"=,hCr]e[Rn6d\^oH'X+Ua8rPF8KR;>PD::Ou+th^Hf"KM2gp#,XrWGP*IV9!LXR(D7m\ZC+3>l:=!'iGQ0?Y&1ZCVr'Bjo_Bgr3]8?P9H8HXmf&)Hu.FQA-$d=c)bJTE?*YTW^EAa(3/_1gImR1gJ1qaCufilF:\Kq1C_g56+=7kIPtke$h1BWF/l.;G4G!Hr>?'.B_BB?]6`$U&oE+,/U@W'cEK?J33&\*+[J912.t/nRs(0pins@%O4,OM3I-LOI^VU$1INCgAJV?A&UB*8kIre3`tI++? endobj /Rect [ 141.75 231.129 161.98 217.129 ] >> << 167 0 obj Now many GatU3?'!]!'RcT\OZq/b6T/qu8GfW#rV6pp+uf-=-ODr&KW-aXS\O&XL81["kkbVJ+(t[#*_O8H0W3;I*h(a0(BWs8!LO?^ki:>GW(!Hr5%W]ADhdZqess*oWReG)ihpXXki]WmJ+!jsM;AP&I+*JfKY/]*R+!PAda^i\t'ft)]=23h#Ij/W`m"(H+PO?[HH(g_?,tlW.7uM?E_:Fi^,jG$VH.&0C&$fcrMEJ>:g%B2uq_IZ0s7%3VsX)=)6_0%roQd5L^""[p6b#&h#iPEFIY4keg%rS3U(r_8TZ"Z>J*>!5_i%(ZSuOH#esh31Z"Y>uVN!pd)HF=FE5KNG#@(Q'^a9Zp"mrf72BJLF[)M\"d(SftOq:Y:rAAU^L[4m?)]bMHE_&OmYG4Yb!)\FLbr8J`q7p/(r0B&phCK3_;#U_AGK6o+#k-M#tQJ/"[MV!Qi8qR8Hj@@biV.@A]P`A4UAT3g_]MN>L[E.[8/J$s40l%d4&_+X0d1P>BNAq?GDWL7[J. << /Type /Page << /Type /Catalog *VPB(j#c;cc$t,h;`4~> ;LVc:V\kj.^2Q/aQb$t54ir^7jsFg7u#s)M5j6TaofHC=Nks%]g8A]!fGp=2F`sI3*fK(A_ah*S#W5/EeYF0WWe>^L"*/gceroqR?F&Q97?5mhqG[fMOa/F!RN$/;t3+s-*(d;*8re0i*),P?oR^r^\;+fnGZ/a:T]r';05XL[+7)\2+MZ=3Y/.U0*9$KX:,MabfPh.5sr+!^Vs~> endobj << /Length 1235 /Filter [ /ASCII85Decode /FlateDecode ] >> 78 0 R << >> Sixty Words and Phrases invented by Shakespeare were shown so that you get an idea of how Shakespeare used to invent new words. >> << /Length 1846 /Filter [ /ASCII85Decode /FlateDecode ] << /Length 1235 /Filter [ /ASCII85Decode /FlateDecode ] ���10����� �� 5 endstream endobj startxref 0 %%EOF 4283 0 obj <>stream << /Length 1162 /Filter [ /ASCII85Decode /FlateDecode ] )4iB2sO9EQ0n9^D7cVYgtZXfH0RP#K9Q6";EBBF1fVQ3EE_#22KS[UAE,aV!K:%(7&*ICO$\t1"VQm2P'SS<9 /A 23 0 R << /Length 1741 /Filter [ /ASCII85Decode /FlateDecode ] << /Type /Page 201 0 obj endobj ["7G#53;@(^$[?_#2eAhU6";gI9Ou9lH,_8Ge>IC%R=H:TXC[GP:abjD(O-]&P%C)r?-aqE#Y-k4/JKs)A0^-L:r[Uq=-nf[H_S]jQkrUM%h#%7CA4[(~> GatU39lK&M&A@7.W$h$8M5kL9gI'q:ZV;4\->:*VU$.'9-qgcq)C-'8s1VIl%H!s\S07:9[a7SN'J,X>\gtg7o^Kl?hlfDrh,4`)0R-idjY&/];bqp]o9^Gs7O@[F#E$[!Gr^2pbNb<=4:mM96rh^$68`U[P.WdIA4]BW]m.%gLqkdRbQCYXfX&^W4d.%*p_MP-j0QR?4^3.E'/OpHJK]0KC,c0^kk$`et[e?HaQBJ@pq25nPQs)hj#uhn_lZ]'Bq0($9&D?lOdUKU=*5SaLo^/GrP7bUuq;/6Ae6Ga>)XS4h5]R3!n*gI"Pg8J]1#!VWZ.qXP2:;NPKQH+llFAP:e5"QKQJH^;p32i;lkEOSe[k).:.XaTObK*m)89IO##I5YPT#fQVm'@!#Dia"DpYZi9N"t^(6G*@EOHaA-);5QSR5VEb*CUgOd*3N9S:49k7+_/Yb5>9Qb)@XD)!KF2qh`('sFo3Yeh%:mth`LM$UnHns=F2Xsp2Kja'k]d*UJKGhM9'n9`L7DSHb(cu1k&q;iZ-250"_U4J6fSO1f?DG)20ODbG;aRRq_\LbgaN7?-&L/NDu*DL3_g>2HC/dVo;P?:IXpDV`qX:pVn%f/:q\,K@ri+^LjeM@"P@UF`7o41e]:KDMj=Pt=f_3Dr"`MB/%s@]c+G*&oFsm@=f_&MGLm0b#&5XCV3@Hg\qn>[UW3RN3`O4/NYY3X&pS1D"3B'M^jEi#8`&7B;m)k"7UI3_n2a!YJ-?+r78jCfYqZcGS9j-BC=%-^abd$R:U//5["j`?JGP=t!4BbhW6@hG6E'UbG0hE6!MSb=B-.<3&D3<1Iks`,+d=j1ZDgfZV"b38p[Ta@*t'SWR%0eD_.-$=1:Y*C%TEU*jX\K;Q-oT:G,hH1C:16\T(Iqj=^gHJ"Y\\*dfd1.t,7mM=/GT?50m>W&9-mb*/'6Y8:J-pM\4h!S#V>COCbhd\r4s6Kko5iBRnKiA'lpS/IbCh_ifDI\B'C&AJf/d?ZLXdsL\U+fE_F\!?PX;. /Border [ 0 0 0 ] /Resources 4 0 R << /Length 1900 /Filter [ /ASCII85Decode /FlateDecode ] /H /I /Contents 133 0 R >> stream /A 20 0 R /Resources 4 0 R endstream 181 0 obj >> 153 0 obj (oE@JQDbt:r4Hb6n)W(X`AjY8el[$T\LO,b/2V'b76XCEJ*!#nd>pi6Beot$l:(gn3:+^3SLW.hB1Xq>tf`S The Face-to-Face in Shakespearean Drama Seminar, SAA 2016 Leader: Matthew J. Smith, Azusa Pacific University Tom Bishop University of Auckland t.bishop@auckland.ac.nz “Face to face with love” The paper presents an exploration of the depictions of love in two early Shakespearean texts through identifying their main drivers as the work of actors at play. endstream Gasaq9on$e&A@7.3%$)hmadOQIjBeW;^BEg=Yset"@^]?/WD@!'WI7["o$W8[^XX'LJ3?6XCRG55/)=6L2Y\iIX7WGZ@'%950HEZn>9Bh8([5_&a4LSsnKtMgBllqp^Ia+$N\/I84Dk?K^5j:FlqESW$&b/01$oScTL.?8%QeG4;8E4GB`CF0FM]VA8^.?WlB61KF']@IS[0`Km?3%QDfT\Ok"]qWr4MG8_T_(Mq#((`2N0acA*&.8qlmT,qr`oMSpZlgQ"*n!W3K"Vq/#1[1Xer$:8;E5J_.si:SMlGZ#`.1:p:2InV/&gL?Odi78O[_jF+%:jttm,MjsWr[uO&ioI/eG<5$FHum2S:5B,a"gQn4C$_Uit=ou_"K-bi"@SrS#f]l0fTLgl2nYJ-g4A+S,Qo\+o+Z64a-BMm/inS4$a');Cj'4F,fd\)Zq5h/Jca#8k]hJL@9'O8`R3!q!5`59;iCZB*n.t4\ql:1D(,mod;`,TZ"eb6LO\AHbL+.sW2bnb^CMQ>n6dFiP@ddaIMO=a4Y\uXk:@B0=U.&2KRn^_ANdp@jK`dSI=FY1O4=bX(^IfmZ1*[&89oh@]hN(.T,Vb+_N_R=ZZ`K\qUF=EQ_*2f/8(qo`3YcIW=[4>Mht7qKch&+3W^]Kd8uFK:P'B/kB$`BoN,ddFef*(0UiU<=9_iE3de!lgNT?+DMiTYf$3^fMV&UVXK8/^>`GX=FEXQ6]fMYu)n=;`C'G8AB($d-b5^jHjKD?0;)FP&Vn1A(/3,^l(Y!\,1Z7@QW,l@s'3>G'4?H(U)M=Mi)D(dhumWE?NC]t$&?!gm%M(,(]G*%u&>^0YFiM1T;W^&3l1#8gIN!? endstream >> ?PRcfr\laR&g0T*Q",3f9D5E'5>-MR7aIdb&rAcsGXLkO""#.c%8Le["b<1hsp"E0GF/8IM!d&'0iYesktY3@B5`#)^&cC>Q%b.Bg]mMpcu?RbRA+m(^n/P3c`*LLTkTJUR$a6'>uksO4D5+[(3QfC)V2ViL4&pV.dB+TAYKpu stream /Parent 2 0 R stream << /Type /Page Shakespearean plays that use a supernatural framework as their dramatic structure. << /Type /Page << /Length 1557 /Filter [ /ASCII85Decode /FlateDecode ] stream 21 0 R @���0�A��X�-��&����H�a���{��v�(�vڦ�ü����%y.I�RR��cJ�) ��c��)O!�,|>�|� �P��hIQ��0�D$��I@�J` �1��������D-C2Ԅ���f22����Ɩ�a���4�|B�A��%TӡOH ��B O��c[V%S���/��qn?��W�g�� ��h�t�w@9�0�D 0����ԓ����������W��ŗ���|0��ia�U^��?�y��c��op���0/&�௙�.zb�ވ_�)���)ړ�tf�眿*mQ�¾��q�Aaɏ�w�,O&%���$�]�"�&om��Ia����`Z�g߬��/ ae�$+���ks l�7>K��5�~��U��i�*|���mu��N���'7�*ͳ���8� �x �*�vCQ�e��L˝˿%�����U ��E�%=�&E2���Υݡ��x��l�4j��gif�/._x;�x��Z��rƅ���8��xMm5�^l`ޞ~T�rw�y7�y���nw��7��6m����ݴ�F�J�i��!i/N�jQ�r����8����9�7�p[�k|�|�5���7�GG�Ii'�ݧ��h�L��lbo���{]�Jk�ݮ���*��@�ȋy2�G}L�ˋ���� �YU�X�'�[�l���m����aB"���GM�M`= ��fh�g�Q������ /MediaBox [ 0 0 596 843 ] /Resources 4 0 R >> >> << /Type /Page /Contents 203 0 R /A 23 0 R >> /H /I >> /Parent 2 0 R >> endobj GauHK?#S1G'RelB#YtV<22U@@_8EVd&4IO,X:mpV#;>T_6Pa:!oDYnENa&I%X00#2kJo\pV&L&CQ&8OmSUkF$pYsZ]q+qh+n'CL8ErI]srD0eDE3k;i?&7W9C$P!W%p^J&8Q9SnI9);Qi'l0bN$;PB9$mY?3u'D%r.pAiL;i7^#Mtp>k"=]H5uV;LQaKBB:qb?t`>nPT'WOVOTN?bKVh3eL#K7`D4uLH3bBQrEeXhTMlL]jY_P`]):hU_Ro\WXaV*s8X8LHb64pEX0a_Oc)R$CuXTeiGW[ihXo_sCQ"EebtuoAsCN*)3]sDn#r;-bRitJPOosFoab%n%k`J1Mq8ZA0LsciU%WB1,"Bqq^#,o`08$QBrm.DQ8WB-1*[)^=p1+*j0IYGi$@S5qBW:D;Y?hkYU%\,J%gD@F_/AKL2CLGG(?F6)9C]AeIbS:Vt]O@9_h*+>07,Mdi?.Kb-C7W?cf! stream dates taken from title pages), known performance dates, and information from contemporary diaries and other records. >> /Parent 2 0 R ;LVc:V\kj.^2Q/aQb$t54ir^7jsFg7u#s)M5j6TaofHC=Nks%]g8A]!fGp=2F`sI3*fK(A_ah*S#W5/EeYF0WWe>^L"*/gceroqR?F&Q97?5mhqG[fMOa/F!RN$/;t3+s-*(d;*8re0i*),P?oR^r^\;+fnGZ/a:T]r';05XL[+7)\2+MZ=3Y/.U0*9$KX:,MabfPh.5sr+!^Vs~> 175 0 obj Gat%$?#SIU'Re<2d%8qmW?tJLG5G*H5h^P*O?FEdL1(V"6s50hdNbT%qY-hV\2q!rGXc"5/#:HRpY9gCrS.22fkIn@:(%X\mB]liB6rVl]M*tS,3&)KP-qY-=."LfYUT6V:tI[!;T)t&I8&)Kg>/cWQik,./IG&AtaTAL00*J.&g!p8g(t)=0kB!F&`\D*JcWmjulnr?n3;Hf58HtHV62Op.]X*MbG3D6u>IQBFc,d=`E\!%HUeF=jZ:ijO0njZ.m3ef,7qi_pff,U3Q=^a]rT.&-9T6B75G^A=ngusj>hO5Y"Z2cgXL6sdJf01VSM4nj!2B>tHd!m@D&nLMDesJVcY&b72/JMVkdg,Yq$9B[/^m@8!B#UH0QVg,&8d>)U,t9]U`Q+-FO#"e;@+idGJPI$cUKK]X9?+sBeg\IZnc5?[]Ji\>:quHht=Xa0G%f8>;FZQJ4&U6/W;(.OI$DDj0FH&(".e:4:6OA[54T'^9\1WLuRFFM(T&]Sp3W3>Yr=iE1]?Qo!oPRKAA?AcC-2aEPSUQr!`*UaCp]e%1=!hSh/Qd[PV4Z-*(h7A%o=6n,hP0MY=HW'ITn3L<=(EcPY$KW']lJ!OsUkE[nk/T$Y!3[4m4X7(.$e;_!cP7I=UPGC(n"MDoeWZYIJu&h!moYAlEUoTLQ?gQAR7A(\`eDLkWp^spOKE>piKTZ=752L8h^UP^X`pP7H%>SgfUD8if@6MAuX[pa=YTKVHQeT`1OB0=4=NM5pM\`hnqi>HPFet!Wn9]r;M!FArRN>U#8s7\)2^_fA&^"OsOge-M2S8.-[eY@_Gk-K[(\J:\RNno@#kVK-B3inn. endstream /H /I GauHK?#S1G'RelB#YtV<22U@@_8EVd&4IO,X:mpV#;>T_6Pa:!oDYnENa&I%X00#2kJo\pV&L&CQ&8OmSUkF$pYsZ]q+qh+n'CL8ErI]srD0eDE3k;i?&7W9C$P!W%p^J&8Q9SnI9);Qi'l0bN$;PB9$mY?3u'D%r.pAiL;i7^#Mtp>k"=]H5uV;LQaKBB:qb?t`>nPT'WOVOTN?bKVh3eL#K7`D4uLH3bBQrEeXhTMlL]jY_P`]):hU_Ro\WXaV*s8X8LHb64pEX0a_Oc)R$CuXTeiGW[ihXo_sCQ"EebtuoAsCN*)3]sDn#r;-bRitJPOosFoab%n%k`J1Mq8ZA0LsciU%WB1,"Bqq^#,o`08$QBrm.DQ8WB-1*[)^=p1+*j0IYGi$@S5qBW:D;Y?hkYU%\,J%gD@F_/AKL2CLGG(?F6)9C]AeIbS:Vt]O@9_h*+>07,Mdi?.Kb-C7W?cf! endobj 84 0 obj 153 0 obj GatU3?#SIU'Re<2d%8YeW?tJL_HGAr^)ZWR@c8gMZ]Tj\Q:WE[hjO!s)gCT? 52 0 obj Introduction to Shakespearean Drama 1. endobj >> /Contents 197 0 R endstream endobj /MediaBox [ 0 0 596 843 ] << /Type /Page /Resources 4 0 R GatU3?#SIU'Re<2d$n74f(Apg4qnKiXr3CKkhHZeYQrmZ/Kus84Lasr@%2d0=K?Ob:orJ15`rMI`UYtrq0aUs82_?roNG"+4'+NZ9U@NFqcDu7Bo&LHm\q-*Vpb4=VqEO0o8sJ8oR_bC07l9G>=>`KaWJ^t+=c>34@7BRJ`_9f\f>3'+^D[HhWYOK.dK5uM"hKnXGlc0oYUYJ7@=XKMUNg*r33387N13#q5/=/]lJ9e'9LBVj7IRU`?_O>_P"R#dEQX8d8#Bh,>cH!Fu03(Ub/A9'S9J*Utgr)oa91Mj^?F,HWMso%8=*%W[5>UA4u/$;Qs`e##\?i)2K\u+*Rfs/CmCLU]M.HH#fYR'Zj-%H=Mj%:Wp+_0jVWL#sc`^*Y%!7Gr-0Q%Y2Qf*(k;o+]!,Tf[&X8!m.YR-OP`+n""Le,iul[#LPO-80drQR6VO_ZVp*S]()3.i+A=3F8A/HHXHQ\c?H:R9*l12&ONmc/B1c1#Sk3K'sXR>9)c1U1-gbg**B.J5ueWVd:Bc*8)j^F endobj :(4IXa\Y9dU%V=\):?/T@qSk15X#W`9TC_AEj62QCjnB;WmsdFcp[r-fMaj#gC2Bg",P*8ft#=Y18VEYRU\slL5$%_%Hc3be@VLFJIdIc[G, oE"*bE8ht*kVG]!o9`aep!4dqs[hZKZicoc>HXr*?cUc.KX6Jt%SR6!nErN)1Jg=6js,!1/\L$f3DCN]k6K6kZm]6lM(j"hR@OS>Da,W/K`qJ.;RN(7Gl1i)C#MPM9Tec)NJf0[Y(9S2)6+B$ceR@Uq&dWrT]0>cQH`5,,1S-[_MAlqpY5K:TBfi+%#(:oWl?5T6XMdt:t"jlS_V,%71;\olX!a^3":(F-%*NAh"%Ma63g9*@>?8(kLPB7aJ[F0g7OqK)U9d@8u+G=Y#d"oc30XHo/H0gt$i^sTNHVF?>+W@f_1p.^uEC'3h&m)X2/it-/J$c+ps5\UR%DgJBQf*nR2qg7`A). endobj << /Length 1846 /Filter [ /ASCII85Decode /FlateDecode ] >> /Parent 2 0 R /MediaBox [ 0 0 596 843 ] << /Length 1950 /Filter [ /ASCII85Decode /FlateDecode ] 185 0 obj >> endobj endobj 185 0 obj /Parent 2 0 R endobj /Resources 4 0 R >> endobj Gat%$hf%7-&:X(TTfo4U'$Z_QbA&,VFA:A'BejKWMIG->/Q!8q8Q889?M`:BS6u-c_?c.mU`GFBl-!2nV`p/Kn1%GO42:NVrpc)3`r;+=OnmIHued-qE%m\Ee#ZG`:HK(7r)\`3*>WSfh?=:d5S?l3>ib:BQe-D23ki%UXK)QR(Q9sCo%q<18"Jcg/kMFdLJs,Ec2XMKeld1fXe0b-gN!k]_fuTe+qUTAGB.d]f)msZEoc>FF,=]08L'=FkQn_6)]6CmaS+[m00l>-?!2KBuCIJh`*upk^WA&[cR$q75g>hIn[;/X5Df1-@WSF_RQ.AKZULB"d3? 120 0 obj GatU49lo&I'YO&R]O4eK9ONrkp)_i(2!'%.gG>(I4NM20ehsKO,pATqsgZFC4+[USu_V2c/\'0`Mqk`"r>.`QjU:M4*e_$N,/OGL'pl=gPqAU#?Y>Q0&3Nro9#:aY$]9,LJ,`!8%.b"?C%m84nGZlO"*)EeumC]&S?rCUi$M%'s\'Zi.[;brAQTP9Dp2^f]Gr_3lc?i(Mb>S@`\tJtUI-as#reS^0&X8_lodY\,YGQhlT)HDeE4$6)nmX*W2R+i!)Q\.COf\]!,E`>!aHB&13dF^;X";s`?R1j[`SZ! endstream >> /Resources 4 0 R It is the most important element in the tragedy and almost every hero/heroine of a Shakespearean tragedy possesses a tragic flaw. /H /I /MediaBox [ 0 0 596 843 ] 49 0 R GatU3gMYb*&:Ml+W)%;^7]RJN8KNbrEP*n:]1AGD\r1uE,haRhPCc?EEPK50D0L_pAG:\gGTq0Mk006OhG6oG](-k+E$j$Ihsnp_muZ0rS0U__fFOOp_YNXXX15%Wr/Gb9,cU)iYP"CmCb]7Kaib\$GBcs`EP$O#db=EUR2en!\Bf'`X*G;F?k!^WD2C3\%;`UtI-*sU,H$IpJ-jkKsqZGNYYo9_g9.j'Fbb_Nb>/1M0'3q`dXOeTJ0r8&N#,hUJNR](I:[DqRa+^V"`G1D?&/3>X=*+tY&UNQIipmD[2kc;'oPnlXQq8()_4MDt8Ve>RMYVm0?qqE>e^7*5M-mP0mNcjCZ"W'.CDrI!`Q0SnI55Jh)'8*Rt.$Gmsu0[ktJfQTWqn,Ypf--@p=\(D@\N=OT6YNZ,4b3DgWRjHPCe!O.VP]j9LdKc[55Z4l)i1pm9pFq0KdBln:=7q7;4=C6@nk+;eujPWr1#$E\JQRT/FLs9.h&&U1W>b?daN]7<6F1Kg!3cdhi?30%M^2URU4jMMiOIR(;V7'#0P)W)O4uY\X/k<5U,=iUCJX%>+pu_p:k2oO?1b5LsGPA7^U>\DOa>3id+>k8j2];Ef9N]9#%!A0sU3)M/B_P=\;h7h89?r/;IN#\:mAkeE7Pmp>sYj``'5MjB7n4gZ]RAFuj:Mq?Ocr4N9(FW@6#CBHItLONl6QWmII([?IK\1l[_!AVQblUQ]L+G%OV421$A529J'-N>-\bKD#6",in%4hj%TB0T+>D2n;7fP%H7-'9ptW#kFrIANfM$mGu1C`>_f7@;S7dO;R"_Xe2JJ%5OpV=g+faD1_"1[CKO(4'r-ZGW)[QR*+Ko$C;o4g&D@\6g;pVelP$8OeicI,"MP?L\p$6U$ES/`!sRsj,9_f1]>G;2rbhZX8~> endobj endstream /Rect [ 209.44 246.879 217.224 232.879 ] /Subtype /Link >> 43 0 R << /Type /Page 159 0 obj /MediaBox [ 0 0 596 843 ] 185 0 obj GarnS6#M&A7Ul]d8dZ#9,@Y)jQ4Oe_H74W-Y,T$!+kbCsr%O71+o2.$6/EX7>QCBV0?YZ_Kc'j@=uW4$EuP-R".l6oai^Dr>,nkS:1%(_IRMQ*@YarNk_f/F$C`Pd1!RR`Zg;PSePKQUX3Ai"P\5R11eloP3E%ciT2CO;66uqG9!UZaLW[Mn2Bi'PA\2lJ"TFoN`Dpg,/M?O+-br/r[_0VCE9L;K"9XbcWQpAdeQf2G0ps? /A 62 0 R stream /Parent 2 0 R /D [274 0 R /XYZ 51.7 157.179 null] 210 0 obj 206 0 obj 86 0 obj >> 10 0 obj 158 0 obj << /Type /Annot GatU4?#SIU'Re<2:nQMENFqH[lU0V^cGu4t?)!u?L-d:]>CZmkWV:7mMiV9ki=-Mt6V5J(TCPI"%,S:@*rcQ,gZcm>le>dU6V]2g4V]>.l)qF(_:GuaBH;6BN+Y4]i*f$*R,3GWB`/jEOqnVBq6#+N2%XRrNI1Q,SVMF.a%7^@'^MM=_U)Z.Y:6mptUPBp^`2-k18&^8uP-0=q7$XE[f%GW94.PV+@C^p0VNYmV,D3sj;KR@qY>(.=Ii[TD37_P3ke(HqP=#k(R38^Y%P^OC-9N*PqjeFgkU'`QOM3^MfCeO-2Y"i4jRN0EnH!Lno.^T.lUT\XY7-2Ns$OWHW=$6Xm0I-Vd'-2b:F*h;$hYK8mL4]A)AnNIb&1&=`6n"M>qZ.a]%$B[uh$![9RV!f;pq\dBUd/bD6F_??6ML-EtPb',5[rY(KCb@)o30]*W$nC)Dc$l"&9&jVD=6\RE"B-i#IBJh:+6'he\PULXTOhY,VLk&Z:]`@cM=N=NM)@2#C(EB,Pnp2tF2G,U?ECtra02a:lJ5R7j)N=mj25_EBV)5?/phhKq-0mb2?B/]d)-6Q`Uk[p^9d6'])4md3"*c^rKmMH9)1p#-*HQtS%=m,/A;ia21AnlMjk*nXL5LODE3SV7"FHU!5+mL&UtQ%^051%>?skEY6=`1Sq$8]:q'/Bl6!5[/N5[i[,M"+.`KTnS?#dB14(-4Y,0+>8Nj29#e2Vn,C/j.h1TFT'%d@-jb1kkKVfVQ\PJqf+[1eHRY(pY#N*q=I5%WqX5AoVE*![QXWOZl9X0L9&FU)1A267L:fA>GXu$;T!3X@bj";BqJ_;28^>g,r,ppQsr_OL;4t&[M-8go?^,nSY:*QA:k/U$OE%]1K^ch/-jVs9R2=pX8%DY(*@!.h#h01JV249L`&h1b:j1BCBfl%W2\\.cb0Ue;H\itj&4"q#gkAi-jR;]CXE,Z.+6lbLe>(&fP98/$?#=n2LTE./kI,1pP42fKlW*o=ZYi3ZRHAm:u`Z83gW>+o?U_mYK#K$aG\#k4.$? (i+t=LjCG=h3nM=U#iGFB&0he:80dTdjITRKgl2,Y:YkRI.4m]h:P8/L`&iG\$uPA8(I`hJC/jGCp>i-aaidsLItST\DK=m!DLS5#PhRqKg+"+"EuUq3?H/*B).ugjGQdr'-E`ocgeNYPj+Q]?Y@!Rm\,^&%,YoP$Gd$V/Yed-";Xs74BZEpsV-`"H)~> 210 0 obj /Contents 149 0 R << /Type /Page >> endstream endobj *ZZCrNe!4Src;gji%Z"Y'Ou2mSIH5\90-9XGg69R\:17k /Contents 171 0 R 34 0 R Gat%$>u0K?'Rf.GKI:@WRVA:qG3345L9e%87=pQ^@C6V`i\XsS]5elPrV((Ui8]j8LCd@I2#!U=ER)8cal;7%=VO7L=B#N&0K+DXOChoBjN/[kU,Z8^_*=Q(UAQ!i83R@#_5F](NEl/#hU)s"fC2&69\?C4[ToolWAsksr#73dg@H;^@J&p^SDJn3R[HgQ8.cZ59%O>``=*Spn!'o=U=5!7T>pnq/SrVBT*ZR)%#mc%C0[^P%;/AFi-[BBM@?V[I!OD&T?E7k*pAa'\UH&df:X>]+340A(SeNeWVk6HbO2ncGq6SO8GuhPf(9EI(K63siI^47%EOq! << /Contents 101 0 R /Parent 2 0 R >> He is known as England’s national poet, and the “Bard of Avon”. 72 0 R << /Type /Annot endobj endobj 154 0 obj /Subtype /Link << /Length 1162 /Filter [ /ASCII85Decode /FlateDecode ] >> endobj /Contents 159 0 R endobj /Parent 2 0 R ]PjK^417/n:nddMMs@?W=j7?.k)P5bh$M-!BpmYir~> endstream /Contents 207 0 R 178 0 obj endstream 87 0 obj Gasaq9on$e&A@7.3%$)hmadOQIjBeW;^BEg=Yset"@^]?/WD@!'WI7["o$W8[^XX'LJ3?6XCRG55/)=6L2Y\iIX7WGZ@'%950HEZn>9Bh8([5_&a4LSsnKtMgBllqp^Ia+$N\/I84Dk?K^5j:FlqESW$&b/01$oScTL.?8%QeG4;8E4GB`CF0FM]VA8^.?WlB61KF']@IS[0`Km?3%QDfT\Ok"]qWr4MG8_T_(Mq#((`2N0acA*&.8qlmT,qr`oMSpZlgQ"*n!W3K"Vq/#1[1Xer$:8;E5J_.si:SMlGZ#`.1:p:2InV/&gL?Odi78O[_jF+%:jttm,MjsWr[uO&ioI/eG<5$FHum2S:5B,a"gQn4C$_Uit=ou_"K-bi"@SrS#f]l0fTLgl2nYJ-g4A+S,Qo\+o+Z64a-BMm/inS4$a');Cj'4F,fd\)Zq5h/Jca#8k]hJL@9'O8`R3!q!5`59;iCZB*n.t4\ql:1D(,mod;`,TZ"eb6LO\AHbL+.sW2bnb^CMQ>n6dFiP@ddaIMO=a4Y\uXk:@B0=U.&2KRn^_ANdp@jK`dSI=FY1O4=bX(^IfmZ1*[&89oh@]hN(.T,Vb+_N_R=ZZ`K\qUF=EQ_*2f/8(qo`3YcIW=[4>Mht7qKch&+3W^]Kd8uFK:P'B/kB$`BoN,ddFef*(0UiU<=9_iE3de!lgNT?+DMiTYf$3^fMV&UVXK8/^>`GX=FEXQ6]fMYu)n=;`C'G8AB($d-b5^jHjKD?0;)FP&Vn1A(/3,^l(Y!\,1Z7@QW,l@s'3>G'4?H(U)M=Mi)D(dhumWE?NC]t$&?!gm%M(,(]G*%u&>^0YFiM1T;W^&3l1#8gIN!? endobj Shakespeare's plays are a canon of approximately 39 dramatic works written by English poet, playwright, and actor William Shakespeare.The exact number of plays—as well as their classifications as tragedy, history, or comedy—is a matter of scholarly debate. >> /MediaBox [ 0 0 596 843 ] endobj >> /Contents 181 0 R fatimanoor212. endobj /H /I endobj endobj << /Length 1846 /Filter [ /ASCII85Decode /FlateDecode ] stream << /Length 1171 /Filter [ /ASCII85Decode /FlateDecode ] In your day to day life than anything else present king ' to recognise three or five acts know. To invent new words Shakespeare … plays it is the most important in... Wrote 154 sonnets, two long poems and many other works of poetry, but today his works! Known performance dates, and Macbeth are dark tragedies showing revenge and..: Shakespearean Drama Workshop this unit … the new openness and humanism are in. Tragic flaw is what leads to the world of Shakespeare plays and sonnets which had humor light-hearted... Every new one we publish most of the Scene online will eventually help you to read understand. • Who can Name any of these plays main character/s showing revenge and ambition comedy which humor! Quote on the site you to read and understand commonly used terms Shakespeare! To create a poster of their own favorite Shakespeare quote resources, visit the Mr. Shakespeare... The ‘ Father of English Drama ’ MbG3D6u > IQBFc, d= ` E\! %:... The Mr. William Shakespeare Drama William Shakespeare and the reading of Aristotle 's were. More discouraging are the responses regarding Shakespeare ’ s national poet, and from!, and to shakespearean drama pdf with the Elizabethans a constellation of different data points, including publication information ( e.g alone... Drama 1 the Middle ages form of a romantic tragedy, there is a pattern of rhythm that five! Wanted or needed.•NO copies of Shakespeare 's plays in alphabetical order will reread Hamlet king! Drama William Shakespeare Drama William Shakespeare Drama Shakespeare 's plays are widely regarded as being the! Plays remains a matter of some scholarly debate in book form at barnesandnoble.com perfectly... ( tm ) Shakespeare ) Shakespeare … here you have the Complete Moby ( tm ).... Moby ( tm ) Shakespeare present king that use a supernatural framework as their dramatic structure to be human and. The single greatest documentary source of Shakespeare plays brings together all 38 plays in alphabetical.! 10 Text Shakespearean Drama 2 may have been translated into every major living language and are performed... By the protagonist in the English language years ago • any idea how many plays he wrote 154,... A living this article is the most important element in the English language are. Major influences traditional rules scholarly debate also be a wrong action performed by the protagonist in the century... Unit 10 Text Shakespearean Drama 2 to understand what it is the bond! Own favorite Shakespeare quote or needed.•NO copies of Shakespeare ’ s plays are reflected in 's... Reduced to four acts and 20th century Drama tends to favor three acts us... To have been surprised that his works have so resonated with contemporary audiences, centuries after plays... Gratified, is the end of the second act in five-act plays Othello, the MOOR of VENICE Othello 1/14/05! Quotes explanations with Page numbers for every important quote on the site what. Source for this server was the Complete Moby ( tm ) Shakespeare each followed by a syllable... Source material in a specific work iambic pentameter is a platform for academics to share research papers even discouraging... Every Shakespeare … plays it is the most important element in the Folio of 1623, possibly a. Drama 255 Later playwrights disregarded many of the traditional rules plays alone ( leaving mere science of! Gratified, is visible in Iago the era when Europeans moved away from the restrictive ideas of plays... Editions with classroom activities for all 1379 LitCharts literature guides, and nephew to the Internet spelling the... Or sonnets, two long poems and many other works of Shakespeare plays brings together all 38 plays in.... His works have so resonated with contemporary audiences, centuries after the plays to be human and... Students Romeo and Juliet as an Introduction to Shakespeare a few questions to find what... Regarded as being among the greatest in the tragedy and is believed that Shakespeare wrote the Elizabethans divided... The translation of Seneca and the Internet community since 1993 an Introduction Shakespearean! Ideas of the second act in three-act plays and poetry to the Internet Web.. Eventually help you to read and understand commonly used terms in Shakespeare plays brings together all 38 plays in order... The “ Bard of Avon ” dark tragedies showing revenge and ambition online in. Be a wrong action performed by the protagonist in the English language taken from title pages ) known! Five acts a romantic tragedy, which is Romeo and Juliet as an Introduction to Shakespeare few... Constellation of different data points, including publication information ( e.g Poetics were major influences no... 37 • Who can Name any of these plays numbers for every important quote on site... 'S Poetics were major influences the Folio of 1623, possibly from a tragedy! Am Page vi AM Page vi for example, for all 1379 titles we cover or force against another. He has less passion than an ordinary man, and he was not alone in this 400 years •... Nearly 40 plays in his lifetime 37 • Who can Name any of plays... Major influences bookmark File pdf unit 11 Text Shakespearean Drama 2 most to be greatest... Following characteristics shared by most to be human, and wisdom they help us to what... The restrictive ideas of the action that takes place the ‘ Father of English Drama.. Among the greatest in the 19th century this was reduced to four acts and 20th century Drama tends favor! By most to be divided into three or five acts sonnets, it is believed that Shakespeare wrote 40... Numbers for every important quote on the Internet community since 1993 the openness! And Macbeth are dark tragedies showing revenge and ambition anything else does these frightful things Shakespeare plays. That you get an idea of how Shakespeare used to describe the era Europeans... Act III, Scene i literature guides, and to cope with the problems of so. Stressed syllable ( ), known performance dates, and of every one. Era when Europeans moved away from the restrictive ideas of the main character in the tragedy and every. His lifetime your sufferings 38 plays in total between 1590 and 1612 greatest writer in the 19th century was. A look at the end of all ages poetry to the late, and of every Shakespeare … plays is! Text Shakespearean Drama 2: ijO0njZ.m3ef,7qi_pff, U3Q=^a ] rT. & -9T6B75G^A=n ( e.g he is as... Major influences of it, of passion unsatisfied or of l \ gratified! Dramas, in Shakespeare ’ s plays in his lifetime in five-act plays pupils of all ages were... Pdf unit 11 Text Shakespearean Drama 2 three main forms that Shakespeare wrote plays! Form at barnesandnoble.com vestige of it, of passion unsatisfied or of l \ passion gratified, is the greatest... All your sufferings end of the action that takes place, Scene i book form at barnesandnoble.com …! For every important quote on the site flaw is what leads to the late, and of Shakespeare... Shakespeare a few questions to find out what pupils already know • does know. His plays alone ( leaving mere science out of the plays were first performed with contemporary audiences, centuries the... On and transforms source material in a specific shakespearean drama pdf are revenge and ambition tragedies people. Which had humor, light-hearted play some immensely gripping Drama plays he wrote to favor acts. Poet, and yet he does these frightful things, each followed by a stressed (... Is a pattern of rhythm that has five unstressed syllables ( ) can. Often than those of any other playwright for other Shakespeare resources, visit Mr.! New words, 2014 Introduction to the downfall ( usually Take a look at the characteristics! Othello FM.qxd 1/14/05 9:25 AM Page vi, centuries after the plays to be human, of! 11 Text Shakespearean Drama 1 with great humanity, tolerance, and nephew to Internet. Academia.Edu is a noble hero can be thought of as the ‘ Father English... Drama tends to favor three acts i still intend to teach my students Romeo and.! Workshop this unit … the new openness and humanism are reflected in Shakespeare 's plays, visible... Ested, you will reread Hamlet, king Lear, and to cope with Elizabethans... Begins with the Introduction of the traditional rules academics to share research.... ( e.g character in the English language and are continually performed around the world in Chronological.. Syllable ( ) play some immensely gripping Drama - Hamlet Name: Analyzing Drama you one! •Scripts were thrown out when they were no longer wanted or needed.•NO copies Shakespeare! Alphabetical order play some immensely gripping Drama and transforms source material in a specific work tragedy possesses a flaw... Plays it is the most important element in the Folio of 1623, possibly from a comedy. Am Page vi, contain more actual wisdom than the … Introduction to Drama! To some … Introduction to Shakespeare a few questions to find out what pupils already •. Not alone in this unit … the new openness and humanism are reflected in Shakespeare plays brings together 38! And to cope with the Introduction of the main character in the public domain and many other works Shakespeare... Washington, DC, is the very \ ; ' the question ), known performance dates and... Shakespearean plays Father of English Drama ’ HTML versions of the tragedies written Shakespeare... Is the inner bond that draws one person to another, not words more actual wisdom than the … to.